Bantu Contribution in Brazilian Popular Music: Ethnomusicological Perspectives is a seminal work that spearheaded the new trend in ethnomusicology, when this discipline shifted the focus of its objective from music in human history to music in culture contact, and from the comparative method of analysis to ethnographic description. This study addresses a long overdue concern among students of Africanisms in the Americas in general and in Brazil in particular. The concern is that cultural practices and musical instruments have been indiscriminately attributed to Africa without identifying their actual “ethnic” or cultural group, or revealing the traditional function these musical elements fulfilled in their respective societies of origin. The author argues that the rupture resulting from transatlantic slavery affected the way Africans thought about their musical elements in the Americas by keeping its African structure and adopting European functions.
